Easton, Carol. No Intermission: The Life of Agnes DeMille. Jefferson, N.C.: Da Capo Press, 2000 (1st DaCapo Press edition). ISBN 978-0-306-80975-0.

Stephen Sondheim noted the duo's ability to take the innovations of Oklahoma! and apply them to a serious setting: " Oklahoma! is about a picnic, Carousel is about life and death." [113] Critic Eric Bentley, on the other hand, wrote that "the last scene of Carousel is an impertinence: I refuse to be lectured to by a musical comedy scriptwriter on the education of children, the nature of the good life, and the contribution of the American small town to the salvation of souls." [114]

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New York Times critic Frank Rich said of the 1992 London production: "What is remarkable about Mr. Hytner's direction, aside from its unorthodox faith in the virtues of simplicity and stillness, is its ability to make a 1992 audience believe in Hammerstein's vision of redemption, which has it that a dead sinner can return to Earth to do godly good." [115] The Hytner production in New York was hailed by many critics as a grittier Carousel, which they deemed more appropriate for the 1990s. [116] Clive Barnes of the New York Post called it a "defining Carousel—hard-nosed, imaginative, and exciting." [116]

Static method which allows you to get the carousel instance associated to a DOM element. You can use it like this: bootstrap.Carousel.getInstance(element). Critic Michael Billington has commented that "lyrically [ Carousel] comes perilously close to acceptance of the inevitability of domestic violence." [117] BroadwayWorld.com stated in 2013 that Carousel is now "considered somewhat controversial in terms of its attitudes on domestic violence" because Julie chooses to stay with Billy despite the abuse; actress Kelli O'Hara noted that the domestic violence that Julie "chooses to deal with – is a real, existing and very complicated thing. And exploring it is an important part of healing it." [118] var myCarousel = document . querySelector ( '#myCarousel' ) var carousel = new bootstrap . Carousel ( myCarousel ) Options Bradley, Ian. You've Got to Have a Dream: The Message of the Broadway Musical. Louisville, Ky., Westminster John Knox Press, 2005. 978-0-664-22854-5.As options can be passed via data attributes or JavaScript, you can append an option name to data-bs-, as in data-bs-animation="{value}". Make sure to change the case type of the option name from “ camelCase” to “ kebab-case” when passing the options via data attributes. For example, use data-bs-custom-class="beautifier" instead of data-bs-customClass="beautifier". An English translation of Liliom was credited to Benjamin "Barney" Glazer, though there is a story that the actual translator, uncredited, was Rodgers' first major partner Lorenz Hart. [5] The Theatre Guild presented it in New York City in 1921, with Joseph Schildkraut as Liliom, [5] and the play was a success, running 300performances. [6] A 1940 revival with Burgess Meredith and Ingrid Bergman was seen by both Hammerstein and Rodgers. [5] Glazer, in introducing the English translation of Liliom, wrote of the play's appeal: A breakthrough came when Rodgers, who owned a house in Connecticut, proposed a New England setting. [17] Hammerstein wrote of this suggestion in 1945, Use data attributes to easily control the position of the carousel. data-bs-slide accepts the keywords prev or next, which alters the slide position relative to its current position. Alternatively, use data-bs-slide-to to pass a raw slide index to the carousel data-bs-slide-to="2", which shifts the slide position to a particular index beginning with 0.