Parsons added: “When I originally wrote the script, I put in one line, which was ‘Come at me, bro.’ He and Willy are staring at each other, he goes, ‘Come at me, bro.'” Stream It Or Skip It: ‘Pain Hustlers’ on Netflix, a 'Comedy' About the Opioid Epidemic That Emily Blunt Can't Salvage

Nicolas Cage wanted his new horror film changed so it had Nicolas Cage wanted his new horror film changed so it had

Jenna Bush Hager Says Her Dad's Own Struggles With Alcohol Helped Her Talk About Matthew Perry's Death With Her Young DaughterCage fully articulates that conflicting emotional scale midway through Pig, in a key scene where Rob firmly but empathetically rebukes a former employee turned hotshot culinary star. “Derek, why do you care about these people?” he asks, referring to the customers at the man’s high-end gourmet restaurant. “They don’t care about you. None of them. They don’t even know you, because you haven’t shown them.” Decider's Scary Movie Challenge For Scaredy-Cats: 7 Horror Films Ranked From Goofy Ghosts To Full-On Gore Fest Drew Barrymore Sobs In Emotional 'Drew Barrymore Show' Interview With The Long Island Medium: "I've Had A Yearning My Whole Life For Family" Director Shawn Levy Claims Taylor Swift "Has The Makings Of A Hell Of A Director": "A Generational Voice And Creative Force"

Cage 2021 was an even wilder year than usual for Nicolas Cage

Where Was 'The Gilded Age' Filmed? All About the Newport Mansions and Upstate New York Towns Bringing the HBO Show to Life The film was released through video on demand courtesy of Screen Media Films, and was initially scheduled for theatrical release in October 2021. However, the closure of cinemas in response to the COVID-19 pandemic meant that it was delayed. It was directed by Kevin Lewis, who previously helmed such efforts as The Third Nail, Malibu Spring Break, The Drop, The Method, The Guild and Dark Heart.The calibrated bizarreness of Prisoners of the Ghostland and Willy’s Wonderland crown Sarnoski’s Pig as the most conventional of Cage’s 2021 trifecta. It’s certainly the most subtle and surprising of the three. It isn’t even that conventional, but it can’t help coming off as “normal” when bookended by the Lewis and Sono movies. Cage’s performances in Wonderland and Ghostland read like the product of a movie star in terms of personality and charisma. In Pig, he comes off as a thespian, a real actor, one devoted to his craft and the pursuit of greater truths through fiction. But Pig’s small scale and Cage’s appropriately small performance belie the size of his personality. In a film this intimate, he still looms like a giant.